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c. 1445 – May 17, 1510. Italian painter.

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Duccio di Buoninsegna
Maria and Child throning in majesty, hoofddpaneel of the Maesta, altar piece

ID: 42606

Duccio di Buoninsegna Maria and Child throning in majesty, hoofddpaneel of the Maesta, altar piece
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Duccio di Buoninsegna Maria and Child throning in majesty, hoofddpaneel of the Maesta, altar piece


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Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.  Related Paintings of Duccio di Buoninsegna :. | The Calling of the Apostles Peter and Andrew | Madonna and Child (no. 593) dfg | Polyptych No. 47 (detail) dfg | Crevole Madonna (detail) sdg | Madonna and Child Enthroned with Six Angels |
Related Artists:
Bernardino Licinio
(c. 1489 - 1565) was an Italian High Renaissance painter of Venice and Lombardy. Born in Poscante (Bergamo). He mainly painted portraits and religious canvases.
Charles Fries
1854-1940
eduard hanslick
German music critic, aesthetician and pioneer of musical appreciation. He studied music with Tom??šek and read law at Prague University, writing his earliest essays for the Prague journal Ost und West and for the Wiener Musikzeitung, the Sonntagsblätter and the Wiener Zeitung. From 1849 to 1861 he was a civil servant, chiefly for the ministry of culture, meanwhile writing for the Presse, publishing his important book Vom Musikalisch-Schönen (1854) and lecturing on music appreciation at Vienna University, becoming full professor in 1870. He was also active as a musical emissary and helped promote the standardization of musical pitch. Among his long-standing friends were Brahms and the philosopher Robert Zimmermann. Though his aesthetic enshrined the classical ideals of orderliness and formal perfection, his interests were limited to the music of his own time.






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